Zola: SFF Review – film reviews, interviews, features


I don’t remember when I got that; I just remember the confusion. A24 has announced that it is making a video based on Twitter thread. Distractions. So, I searched for it and read it from beginning to end, and my words were a journey. Aziah “Zola” Wells, the woman who wrote the thread, wrote the shape so that everything became attractive and effective. Now 2021 brings us the promised film directed by Janicza Bravo. They just called it Zola.

If you do not know about viral threads, I will give you more wildlife stories. Zola (Taylor Paige) works day in and day out as a waitress, but is a nightclub. The two world powers are at war. At one seemingly strange moment, Stefani (Riley Keough) walks through the door and asks Zola if she is dancing, and it just takes it; they became close friends. It was the next day when Stephen offered the chance to easily win money in Florida, so he set off. There are only two important people, the boyfriend of Stefani Derrek (Nicholas Braun) and the “friend” just named X (Coleman Domingo).

From the start, Bravo is showing his film as clearly as he can. Some twitter sections appear on the screen, and everything seems like a dream and a momentum. In the end, it is a bit full, but there is no denying that it is a good way to look at the nature of the story. Zola it does not slowly burn the A24 format in this way. It has no desire to waste time and just wants to get past that crazy story as quickly as you can. Quickly, she dances in Florida, but before we meet the beautiful Derrek who insists on making. Jackass comedy styles online one day. I will say now that Nicholas Braun often steals the show as a troublesome and sometimes lovable Derrek; he is one of Zola pa great wealth.

However, they can stay in the hotel room while the girls and X go to the club. This is where things start to go crazy. When he finished, it was revealed that X was Stephen’s pimp, and he insisted on working for him because he was threatening the life of his daughter. This revelation is very complex and can take a lot of writing away from humorous jokes and act like a heartbreaking drama. But not Zola, it is not the way he wrote it, and it is not the way the script delivers. Instead, everything is simpler and clearer from the descriptive word that appears in the tweets (some of which are similar to the word) and in this way, the original text was well cared for.

But it is very interesting that not all of the tweets are visible on the screen. There’s a lot going on, and Bravo shows it very interestingly, but not all. What is missing most is the end, or rightly so of the introduction, concerning the arrest of X. This missing showed me something very interesting to me. Some may think that a Twitter the thread story would need depth to make a good film, but instead, the film does not have the depth to cover the whole story. If you read it again, you can find the time when Wells was open enough to increase the depth of the tragedy, and Bravo shows no interest in it. Moments like Zola and Derrick’s conversations, the moments in the thread that give her redemption. The appearance may not have to suffer these minutes; the only real ones are the ones who suffer from their loss. The end result is a fun thing no matter what, but it ends with a well-thought-out question: these were not dreams, so why is the film continuing to play as it did?

Zola is not always the main beneficiary of the original text, but it is very interesting and full of dedicated and entertaining performances.


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